IRAN PROUD SHARZAD 2 PART 15 SERIES
IRAN PROUD SHARZAD 2 PART 15 TV

In sharp contrast, “Shahrzad” features a nuanced cast of characters – including toadies of the Shah – who rise above state TV’s usually binary portrayal of the virtuous Islamist hero and the villainous monarchists. They want to change this view of the past and conclude that there was no need to have the Islamic revolution,' said the statement. It is being tried, under the soft war, to change this ugly, filthy and dark history into a glorious and beautiful one. 'Our people have some views against the former corrupt and despotic regime. The backlash led to a statement by Supreme Leader Ayatollah Ali Khamenei underscoring conservative fears of an international “soft war” being waged to undermine the values of the Islamic Republic. Shahrzad is forced to marry into a Mafiosi family benefitting from the corruption centred around the palace. Farhad – a Mosaddeq supporter – is arrested. The Shah unleashes his dreaded Savak secret police on protesting intellectuals. The progressive Socialist prime minister’s moves to nationalise the Anglo-Iranian Oil Company and cancel exploitative oil concessions earned the wrath of the West, resulting in a defining moment in Iran’s history that resonates to this day.Īs the story unfolds, the young couple gets ensnared in the claws of history.

Farhad and Shahrzad meet shortly before Iran’s popular, democratically elected premier Mohammed Mosaddeq was ousted in a 1953 coup engineered by the CIA and British intelligence services.

IRAN PROUD SHARZAD 2 PART 15 SERIES

The series is also available online with the latest weekly episode available on behind a subscription paywall.ĭirected and co-written by Hassan Fathi, “Shahrzad” presses all the right historical buttons in a country that was once manipulated by current and colonial-era superpowers.

IRAN PROUD SHARZAD 2 PART 15 TV

The slick, high-production value series is available in CDs sold at roadside grocery stores and supermarkets in a country where home entertainment provides a break from the dreary fare on the Islamic Republic’s state TV and radio stations. Instead, as a privately produced TV series, it has been licensed and approved by the Ministry of Culture and Islamic Guidance, leading most experts to believe that under President Hassan Rohani, the rules are being relaxed. “Shahrzad” is not being aired on any of the state TV channels, which means it is not under the purview of the state broadcaster, the Islamic Republic of Iran Broadcasting (IRIB). Set in the Shah era, when Iran was ruled by Mohammed Reza Pahlavi, the series features a number of scenes that remain taboo in the Islamic Republic, including women singing, playing musical instruments and partying with men in a Tehran of yore, where alcohol flows freely, cabarets are doing brisk business and cinemas are screening the latest Hollywood blockbuster.Įven more surprising for Iranian audiences, these seemingly “un-Islamic” scenes in “Shahrzad” are depicted with value-free finesse, minus the moralising and hectoring that invariably accompanies such scenes on state TV channels. But the historic events shaking the country that fateful decade intervene to ensure the lovers will not get their “happily ever after” moment – at least not so far. Shahrzad, a pretty medical student, meets Farhad, a journalist, in Tehran in the early 1950s. The storyline of “Shahrzad”, a new TV series making waves in Iran, is hardly provocative. It’s the sort of content that has many Iranians questioning whether the censors did not realise the significance of the series or if the state’s red lines are dramatically shifting. But for a local Iranian TV series, licensed and approved by the Ministry of Culture and Islamic Guidance, this is edgy stuff.

The scene seems innocent enough by international TV standards. Over a sumptuous tea party complete with plates of pastries, fruit and jugs of chilled tea, a woman plays a tambour as the female guests around the table sing, clap their hands to the beat and ululate joyfully.

Iran proud sharzad 2 part 15